Nature Analogues
Biophilic
design patterns can be used as a tool for improving health and well-being in
the built environment. In the previous blog, we discussed about Nature in the Space and its 7 patterns
which contribute to biophilic design. In this blog we will see the second
category that is Nature Analogues.
Nature analogues:
Nature in the space addresses
untreated, non living and indirect traces of nature. What can you use as an
inspiration from nature for designing an artwork or a furniture item? There are
unlimited things which can be used such as objects, materials, shapes, color,
texture, patterns, sequences found in nature and by all these coming together
in different combinations invent useful items as artworks, ornamentation,
furniture, decor textiles in the built environment. For example- Mimicking the
shape of a leaf as a dining tabletop. Mimicking the shape of a shell as an
artwork, using natural materials that have been processed or extensively
altered. By doing this, we build an
indirect connection with nature. The strongest natural analogue experiences
are achieved by providing organised information or information through a process. Nature
Analogue has 3 biophilic design patterns and they are explained as follows:

· Nature's forms and patterns:
When you look around yourself you will see numerous forms and
patterns in nature, the texture of a leaf, the shape of a flower etc. Nature's Forms and Patterns are symbolic references which exist in nature. They may be patterned, textured, contoured or in numerical arrangements. While we are aware of the fact
that nature's forms and patterns are not living things, we may describe them
as symbolic representations of life. Nature dislikes right angles and straight
lines. The golden angle that measures 137.5 degrees is the angle between successive
petals in some flowers which is also applicable in designing. The objective of
using nature's forms and patterns in the built environment is to connect
humans with nature by providing representational design elements. A space with
good nature's forms and patterns feels interesting and comfortable.

· Material connection with nature:
This pattern states that the connection of humans with
materials that are available in nature with minimal processing should be there
as a space with good material connection with nature feels rich, warm and
authentic. The impact of natural color palette, particularly the color green,
has on cognitive performance. By using natural materials, one can explore the
characteristics and quantities of natural materials useful for positive
cognitive and physiological response. In interiors, natural materials can be used for making furniture,
artworks, accent details, for a decorative stone wall and many more.

· Complexity and order:
Nature repeats itself so beautifully that it attracts
our attention and doesn’t let go of it so easily. When you look at a flower,
some flowers have their petals in multiple layers in an ascending order of size
from the center. This pattern is evolved from research on fractal geometries
and preferred views. We have a response for everything. It is seen that our
physiological responses to the complexity of fractals in nature is positive.
Overly complex designs and environments may result in psychological stress and
even nausea. The objective of the
complexity and order pattern is to provide symmetries and fractal geometries
configured with a coherent spatial hierarchy, to create a visual nourishing
environment that engenders a positive psychological and cognitive response. Fractals
can exist at any scale but we have to know when to stop. In the built
environment, it becomes a challenge to find a balance between an information
rich environment which is interesting and restorative or it is information
surplus that becomes stressful.

In the next blog we will see the third category which is Nature of the Space in detail.
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